70th Anniversary of "Santa's Surprise" and Little Audrey

Little Audrey, or her long-running comic book title "Playful Little Audrey" was one of my favorites of the all classic cartoon characters I was exposed to on public domain cartoon VHS tapes. In cartoons like "The Seapreme Court" and "Tarts and Flowers" you knew that once Audrey fell asleep there was something fun ahead.

In Santa's Surprise, (released December 5, 1947) which was Audrey's first appearance, she is one of a group of international children who sneak away to the North Pole to thank a tired and weary Santa Claus. This cartoon seems to have been popular enough for a reissue the following year and in 1954. Audrey would appear in her first solo cartoon "Butterscotch and Soda" in 1948. Like dozens of other pre-1950 cartoons produced by Paramount Famous Studios, Santa's Surprise would be acquired for television by the National Telefilm Associates, and some available prints of this cartoon contain their logo instead of the Paramount opening.

Frequently cited sources claim that Audrey was created to replace Marge's "Little Lulu" character when Famous Studios did not want to pay anymore to license a character. There was at least one Lulu cartoon made after Santa's Surprise so maybe someone remembered the little girl with three ponytails and decided to turn her into a star. They didn't have to look far for a new voice. Mae Questel (1908 - 1998) was already the voice of Lulu (and Popeye's girlfriend Olive Oyl) and she was given the part. In fact Audrey and Olive basically have the same voice. Try watching a 1950s Popeye cartoon and a Little Audrey cartoon back to back.

Today the depiction of most of the children would be deemed racist and offensive. An interesting twist to this is that Little Audrey was noted as one of the first kids comics characters to have a non-stereotypical black character with the appearance of "Tiny" in her 1950s comics.

From Little Audrey #42, June 1955.
Image from "Out of this World" comics blog. Click Image for full article

One could also take into consideration that this was a post World War II film. In that time period there were a number of films and radio programs that tried to address racial unity, like the "problem pictures" of 1949 Pinky and Intruders In The Dust, or the Adventures of Superman radio episodes in which the Man of Steel took on the KKK.

Audiences were used to seeing films with white and black children interacting (Our Gang/Little Rascals most famously). However, a color cartoon that suggested Santa loves Chinese, Hawaiian, Black, White American, European and Russian children (and that they loved him too) may have been very special 70 years ago.